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Yutaka Sone at Sifang Art Museum, Nanjing:
YUTAKA SONE OBSIDIAN

YUTAKA SONE
Log (long version), 2017
157 1/2 × 23 3/5 × 23 3/5 in
400 × 60 × 60 cm
Marble

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
Snowballs, 2017
Ceramic
FRANZ

YUTAKA SONE
Double Log, 2017
31 1/2 × 27 3/5 × 27 3/5 in
80 × 70 × 70 cm
Marble

YUTAKA SONE
Any Colour You Like, 2017
Bike parts, paint

YUTAKA SONE
Tropical Composition/Banana Tree No. 2, 2008-2010
299.7 × 236.2 × 287 cm
Rattan, metal armature and paint

YUTAKA SONE
Magic Stick, 1998
cast glass with painted wood and styrofoam case
glass: 134 x 34 x 4 cm
case: 142 x 41 x 17,5 cm

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

YUTAKA SONE
installation views Yutaka Sone Obsidian

Sifang Art Museum is honored to present the exhibition ‘Yutaka Sone: Obsidian’ to the public opening November 12, 2017. The exhibition, curated by Yutaka Sone, is his first institutional solo exhibition in China and will feature key works by the artist made between 2000 and 2017, as well as newly commissioned works/installations, collaborations, and performance. The exhibition will offer an unprecedented view of how the various strands in Sone’s practice interrelate and attest to the ubiquitous energy of his artistic spirit.

 

For the exhibition, Sone produced three new unique series of marble and ceramic sculptures, which are respectively entitled Obsidian, Snowballs and Wooden Logs. The notion of OBSIDIAN comes from the artist’s interest in questioning and pursuing the origin of the common occurring igneous rock. The mutable quality of obsidian made it a material often used by prehistoric people to make tools. For Sone, the obsidian bears the initial model of the vertical progress, which helped build the future of human civilization.

 

Most of the artworks in this exhibition are completed by Sone’s studios in Fujian, China, Michoacán, Mexico, and Antwerp, Belgium. Sone cooperates and builds a close relationship beyond that of “commission/commissioned” with craftsmen, in order to create forms ranging from sculpture and installation to weaved works. In ‘Yutaka Sone: Obsidian’, the artist works together with volunteers and staff from the Sifang Art Museum to finish the Obsidian series, and the largest installation of the artist’s ‘Tropical Composition’ series to date.

 

For the exhibition, Sone invited renowned artists including Rirkrit Tiravanija and Oscar Murillo, to make use of his marble studio. Additionally, Eduardo Sarabia, Mandy El-Sayegh and Taro Wayama will participate in the show with new sculpture and performance works, marking an unusual debut of the remarkable artists collaboration.

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